KAPA GUITAR S SERIAL NUMBER EVEN

The bridge is awesome and were actually made by Kapa.Multiple bass guitars, a giant speaker cabinet, a head, a compression pedal and a tuner. Most of my friends had a Kapa.Shop acoustic and electric guitars from the Richard Fortus Collection, only at the Chicago Music. It was my local music store growing up. Anybody know anything about these or the bigsby 2 Bob Howard 1 year ago Kappa was the house brand of Veneman's Music Emporium, a musical instrument store in Silver Spring and Rockville MD. The bigsby looks older than the guitar includes the aluminum bridge.

All of them sat at their conference room tables with us looking for a way to market the pretty rock chick. Slot was aggressively courted by some major labels. I might be able to give you an example or two, but I have to say no. My basement contains the equipment of several bands on the Small Stone Records label, but we're the only ones who rehearse and compose there. Their effects pedals and toys seem to be such a distraction.

Kapa Guitar S Serial Number Even

I'm guessing they're what remains of its serial number even though I don't see any sign of any other faded numbers or markings, just these four clearly visible numbers. Nobody tells us what to do, and we enjoy that freedom.Hey ariel here :), so I had found 4 numbers stamped inside the body of the guitar. We made our own way and did just fine. So no, nobody in the industry had much of anything valuable to contribute at all. We all had families who loved us, no tattoos, no violence, no rehab, nothing the major labels could exploit like they did with someone like, say, Fiona Apple, the molestation victim.

It has a big crack down the front which is probably bad, but it looks badass. I also have a great Larivee guitar (don't know the model - typical :) - that my friend Melissa Ferrick gave me. I tell them that I have a small-body Martin 000-16 acoustic, and then they tell me what they play, and I nod and smile, but I truly have no idea what the model numbers mean. 757-769 Phone Numbers We operate a pirate use to teach guitar They condone this sort of.I am not much of a gear 'nerd.' People in airports (99% of them men who are clearly so passionate about guitar) always ask me what model I play.

I think I have always been pretty intimidated by 'gear.' I'd love to get over that. I have a tuning pedal, and that's pretty much it. As far as electrical gear, special pedals etc.I am pretty simple. It stares at me when I come home. I think it feels dejected that I don't take it on tour with me anymore.

I also still play one of my first guitars, a really beat up and tinny sounding Tachamine that I have some Neil Young lines drawn on in sharpy. My prized possession is a handmade guitar a French Luthier named Florent made for me with a mother of pearl bird inlay on it's headstock. It's hard not to feel like I don't belong in there.'I have a Martin 12 string guitar dreadnought style.

I also use a ton of Boss Pedals for my guitars.''I'm not much of a gear geek. I am very happy with the TC and its pretty user friendly. I just decided to start controlling it myself. I used to get in a lot of fights with soundmen (most of them are men) where they would tell me how my music should sound. Also, a baritone ukelele I bought at an antique shop, and a similarly purchased and beat up autoharp.I use a TC Helicon voice live unit so that I can control my own vocal reverb and delay on stage. (Once, in Mallorca, I had to buy some woodglue and clamps and literally glued my broken guitar back together).I use Rare Earth Humbucker pickups that work on magnetic resonance because live, I find they give the most natural sound to the acoustic instruments.I have a Vintage Framus banjo on lone from guitar virtuous Glenn Jones that I have been playing a lot lately.

I told him all I could and that it was a standard American-made SG. A man who was interested asked me a few technical questions about it, but I was out of town and away from the guitar. I recently listed my Gibson SG electric guitar on ebay.

My electric guitars are played through a Peavey Tube amp. The last person I would want owning my guitar is a guy with a phobia of female musicians!That being said, I play a Martin D-16 Rosewood acoustic and a Schecter electric and a Fender Strat electric. I, of course, refused his offer. Maybe it is a female characteristic, but I had a lot of emotions attached to the instrument so after my response, he apologized and offered to purchase the guitar. It doesn't matter at all, but it struck me that there might be some serious resentment from a handful of males out there when women succeed at being musicians. I thought it was hilarious because music is my ''day job'' and I just so happened to be far away from the guitar at the moment.

1880-1920, from the school of Jerome Thibouville-Lamy. Lately, I have played more of my acoustic guitars, but when I have the right venue for it, I love to bring out the electric guitars as well.'My main fiddle, 'Beloved', a French violin, is from ca. My feet end up tap dancing through most of my songs as they control all of the effects.

I can't imagine being without it. But when I played it, I knew it was the one for me. It's missing some corners, has a dark varnish, plain back. It's not the prettiest fiddle in the world and when I first saw it, I didn't want to play it.

I play these other instruments on recordings, for The Wilders and my solo projects as well as collaborations with other artists. I own a decent viola and a funny little 1950's Kay cello, and a variety of tenor guitars, including a sweet 1930's Gibson archtop. I travel with two fiddles always as the music I play includes old time fiddle tunes, some of which need to be played in cross-tuning (open tuning). I now own another Lamy fiddle, not as finely made as mine but a good 'Compagnon' (the model name). I own another unnamed French violin from the early 20th century, which I bought in Edinburgh, Scotland.

I have some stuff from the streets that we restored - bunch of amps, a hohner pianet, eko bass pedals, an old pump organ. For acoustics it´s the taylor still. All through small mixer, boomerang II, and a bunch of stomp boxes* studio: my favorite guitar is my kay jazz II, and I also love to use my hagstrom Impala. A lot is still a mystery but as I learn I'm finding myself less intimidated and more excited by the things I don't know.'I have a bunch of live gear - and then studio gear (in greenland there ´s not much see, so I did lots of stuff myself by trial and error - and soldering a lot)* live: 2nd hand nice taylor acoustic, little red ukulele with bottle cap PU, hagstrom I and silvertone U1, old beat up Kay jazz bass, oliver amp and dynacord jazzII amp. I still wouldn't call myself one, but I've had to give myself a fast education in order to keep up.

I have an erhu from China with a (farmed) pythonskin drumhead. I have a Krakauer piano from the 1940s, ebony-shining gorgeous thing, needs new bass strings which is an expensive job. That's the flat-black (pre-Gibson) Epiphone from 1948, restored by Keith Cary, and the Guild with the P-90 pickups from the early 50's, which is a truly sweet guitar. I have 3 amps, 2 usable acoustic guitars I mostly use to write on, a sparkly gold electric guitar I never play, 2 great guitars (each other's back-up) that I play on stage.

I have a sweet old Cohn cornet I can barely play. It sounds like a crazy dream. I have a museum quality Stroviol from 1905, made by Stroh, my 'nicest' instrument. He makes really magical instruments.

I loaned out a pack of ukuleles that may never come home to roost. I have a cute old autoharp, and god knows how many other instruments.

Kapa Guitar Serial Numbers